{"id":1656,"date":"2024-12-07T23:14:53","date_gmt":"2024-12-07T23:14:53","guid":{"rendered":"https:\/\/luisanguis.com\/?page_id=1656"},"modified":"2024-12-08T20:46:24","modified_gmt":"2024-12-08T20:46:24","slug":"articulo-fredric-dannen","status":"publish","type":"page","link":"https:\/\/luisanguis.com\/en\/articulo-fredric-dannen\/","title":{"rendered":"Art\u00edculo Fredric Dannen"},"content":{"rendered":"
<\/div>\n\n\n\n

Luis Alfredo Ang\u00fcis
The Future of the Double Bass<\/h2>\n\n\n\n

by Fredric Dannen
Classical music editor, Billboard<\/p>\n\n\n\n

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<\/div>\n\n\n\n
\n

\"Classical music is now in a crisis,\" says the Mexican double bassist Luis Ang\u00fcis, a frequent soloist, and currently a member of the Sinaloa Symphony Orchestra of the Arts (OSSLA). \"My hope, my goal, is to play a part in preserving this vital art form.\" Those of us who have followed Ang\u00fcis's career have confidence in his ability to achieve his goal. His talents were on full display during two concerts this past spring in Mexico City, one at the Palacio de Bellas Artes, the other at the National Conservatory of Music. As a soloist with the Bellas Artes Chamber Orchestra, Ang\u00fcis performed the technically challenging Double Bass Concerto in F-sharp Minor by Serge Koussevitsky, who, in addition to leading the Boston Symphony\nOrchestra from 1924 to 1949, was a virtuoso double bassist.

Another recent career highlight was Ang\u00fcis's performance in the world premiere of Elegy for double bass and piano by Alberto Portillo, in February 2023, as part of the chamber music program of the OSSLA. The work was written for, and\ndedicated to Ang\u00fcis. Luis Ang\u00fcis's virtuosity is remarkable - all the more so on an instrument whose cumbersome size makes it harder to play\npassages that flow with greater ease on a violin, viola or cello. But in addition to virtuosity, there is artistry. Ang\u00fcis performs with the expressive lyricism one seldom equates with the double bass. Particularly impressive is his ability to navigate the\ninstrument's high register.

Luis Ang\u00fcis began his musical studies at the Superior School of Music of Sinaloa, and his potential was immediately apparent. In 2009, on a scholarship, he joined the Carlos Ch\u00e1vez Youth Symphony Orchestra, and meanwhile took classes with Klaus Stoll, the double bass first chair of the Berlin Philharmonic. Three years later, he moved to London, and studied with two other first chair players - Thomas Martin, of the London Symphony, and Dami\u00e1n Rubido Gonzales, of the\nBirmingham Symphony.\nThen, in France, he rounded out his studies with Thierry\nBarbe, double bass first chair at the Paris Opera - though \"rounded out\" is not quite right. Musicians with Ang\u00fcis's level\nof dedication never stop learning and studying.

In the world of jazz - a genre in which Ang\u00fcis is equally comfortable - double bass players have more opportunities to distinguish themselves. In classical music, most people think of the instrument as the deep, thumping workhorse that gives the orchestra more weight and heft. Ang\u00fcis deserves all the more credit for proving - as Domenico Dragonetti and Giovanni Bottesini did in the 18th and 19th centuries - that a classical\ndouble bassist can shine as a soloist.<\/p>\n\n\n\n

Fredric Dannen<\/em><\/p>\n<\/div>\n\n\n\n

<\/div>\n<\/div><\/div>\n\n\n\n
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\"\"<\/figure><\/div>\n\n\n\n
\n

Fredric Dannen<\/h2><\/div><\/div><\/div>\n\n\n\n

Fredric Dannen is an American journalist and author. He is best known for his landmark book Hit Men: Powerbrokers and Fast Money Inside the Music Business (1990), which investigated the behind-the-scenes dealings of the major American record labels in the 1970s and 1980s, focussing on the careers of leading CBS Records executives Walter Yetnikoff and Dick Asher. Hit Men came in second on Billboard Magazine's list of \"100 Greatest Music Books of All Time.\"

More recently, Dannen was the co-author (with Barry Long) of Hong Kong Babylon: An Insider's Guide to the Hollywood of the East, in which Dannen examines the connections between the Hong Kong film industry and Asian organised crime.

Dannen was a contributing editor of Vanity Fair and in 1986 he was co-recipient of the Overseas Press Club's, Morton Frank Award for business reporting from abroad.[4] His articles have appeared in The New York Times, Channels, Barron's and Rolling Stone. The Martin Scorsese-produced movie Revenge of the Green Dragons was based on Frederick Dannen's New Yorker article chronicling Asian-American gang life in Queens, New York.<\/p>\n<\/div>\n<\/div><\/div>","protected":false},"excerpt":{"rendered":"

Luis Alfredo Ang\u00fcisEl Futuro Del Contrabajo por Fredric DannenEditor de m\u00fasica cl\u00e1sica, Billboard “La m\u00fasica cl\u00e1sica est\u00e1 ahora en crisis”, dice el contrabajista mexicano Luis Ang\u00fcis, frecuente solista y miembro actual de la Orquesta Sinf\u00f3nica Sinaloa de las Artes (OSSLA). “Mi esperanza, mi objetivo, es contribuir a preservar esta forma de arte tan vital”. Aquellos […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_uag_custom_page_level_css":"","site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"disabled","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"class_list":["post-1656","page","type-page","status-publish","hentry"],"yoast_head":"\nArt\u00edculo Fredric Dannen | luisanguis.com<\/title>\n<meta name=\"description\" content=\"Luis Ang\u00fcis, solista y contrabajista. 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Aquellos…","_links":{"self":[{"href":"https:\/\/luisanguis.com\/en\/wp-json\/wp\/v2\/pages\/1656","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/luisanguis.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/luisanguis.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/luisanguis.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/luisanguis.com\/en\/wp-json\/wp\/v2\/comments?post=1656"}],"version-history":[{"count":5,"href":"https:\/\/luisanguis.com\/en\/wp-json\/wp\/v2\/pages\/1656\/revisions"}],"predecessor-version":[{"id":1687,"href":"https:\/\/luisanguis.com\/en\/wp-json\/wp\/v2\/pages\/1656\/revisions\/1687"}],"wp:attachment":[{"href":"https:\/\/luisanguis.com\/en\/wp-json\/wp\/v2\/media?parent=1656"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}